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      搜索到與 “Naho” 相關的 “10” 條結果

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      nanHD

      格斗之王

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      nanHD

      單身請開眼

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      nanHD

      擅離職守的貓咪

      • 主演:平采娜·樂維瑟派布恩 亞瑞克·阿莫蘇帕西瑞 Pongsak Pongsuwan Choosak Iamsook Theeradanai Suwannahom 
      • 導演:Pongsak Pongsuwan 
      • 分類:愛情
      • 地區:泰國
      • 年份:2015
      • 更新:2024-06-20 12:30:17
      • 簡介:女孩Mayo來到一家廣告代理公司實習,并在第一天就迷戀上了帥氣學長Mor。Mor正試圖讓一只貓咪Johnny成為廣告代言人。他講貓咪交給了Mayo照顧,從而使兩人親密了起來。可正當Mayo的愛情萌芽不斷生長的時候,拍攝被迫中斷了,因為貓咪Johnny不見了。他們必須想盡一切辦法找到這只貓。Mayo對Mor的愛意將僅僅保留在心底嗎?
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      nanHD

      與歌同行

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      nanHD

      陌路血地

      • 主演:YolandeMoreau PhilippeNahon BenjaminBiolay MarieDenarnaud 
      • 導演:FranckRichard 
      • 分類:恐怖
      • 地區:法國,比利時
      • 年份:2010
      • 更新:2024-06-19 20:17:10
      • 簡介:導演Franck Richard 第一次觸電長片便是這部《La Meute》。該片集科幻與恐怖、神怪與驚悚于一體。被影片聯合導演Franck Ribière稱為“神怪西部片”。   Franck Richard在《La Meute》中糅合了各種類型和風格 :“從童年時代起,我就非常喜愛類型片。這個名字今天被誤讀了,在以前它并不單純指恐怖片,而是包羅萬象,既包括動作片,也包括神怪片、偵探片和探險片。”   在一個邊陲小鎮,Charlotte 接受了Max 的搭車要求。他們在一家路邊餐廳用餐。餐廳老板是神秘的Spack。Max 去洗手間后始終未見身影。擔心不已的Charlotte試圖找回Max ,但遭 Spack 劫持,并即將成為他們像寵物一樣供養的吃人娃娃的大餐。影片主要演員有坎城影后Emilie Dequenne,愷撒影后Yolande Moreau和 Benjamin Biolay。
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      nanHD

      穿普拉達的女王(原聲版)

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      nanHD

      穿普拉達的女王(普通話版)

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      nanHD

      致命格斗

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      nan完結

      人生至上

      • 主演:木村拓哉 浜田雅功 石田百合子 飯島直子 戶田菜穗 Naho Toda 內藤剛志 
      • 導演:吉田秋生 難波一弘 伊佐野英樹 清弘誠 
      • 分類:日劇
      • 地區:日本
      • 年份:1995
      • 更新:2024-06-19 17:52:34
      • 簡介:就讀于某醫科大學的大上一馬(木村拓哉飾)是一個英俊瀟灑的青年,他本擁有無比光明的前途,可是卻因為某種原因而放棄學業,他選擇沉湎賭壇和溫柔鄉,在燈紅酒綠中自甘墮落。奢華無度的生活需要大量資金支撐,為此一馬在多田金融公司欠下巨額債務。這一日,優柔寡斷的內藤八郎(濱田雅功飾)被派來向一馬索要欠款。他慫恿對方搶劫銀行,結果反遭一馬戲弄。在此過程中,他們邂逅了被騙成為擔保人的小提琴手下村七重(石田百合子飾)以及一直愛慕一馬的某大醫院院長千金早乙女佐織(戶田菜穗飾)。殘酷青春物語,在這幾個飄搖無所的年輕人中間展開……
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      nanHD中字

      殘酷

      • 主演:Katrina Grey 仁科貴 亞矢乃 Naho Nakashima Butch Nanako Ohata 
      • 導演:廣瀨貴士 
      • 分類:恐怖
      • 地區:日本
      • 年份:2018
      • 更新:2024-06-19 17:43:35
      • 簡介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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